This composition was given to me at Chakardar summer school some years back by the mighty Pandit Bickram Ghosh. I’ve never played it much and thought it was about time I properly gave it a go. The bass does actually work well in this recording if you play it through something with good bass response. Check it out!
The Riyaz iphone app has a lot of variations for 8 or 4 beat loops. Good for inspiration or using as accompaniment. Sounds a bit more groovy with the swing switched on.
Here’s a short recording of a jhaptal kaida I made last year. I meant to post it here and never got round to it. It’s an interesting composition and one of the few kaidas in jhaptal I have learnt at Chakardar summer school (which is always really fun and worthwhile.)
I just turned vegan a few weeks ago and I’m enjoying the change in diet. It’s a shame I can’t extend my new veganism to the tablas I play but sadly there have been no alternative materials found to even come close to the sound from traditional tabla design. So goat and leather it is then.
Although I have tried to experiment with the strap material at least. I heard about the amazing qualities of Vectran through David Yovino’s website (Transtabla) and that seemed like a great choice for strap. Unfortunately I can’t find it anywhere on the web except on the Transtabla site and after shipping costs that seemed prohibitively expensive. So I did some searches and found a polyester alternative.
David says on his site that polyester has much less stretch than polypropylene so I chose the polyester webbing. I could only find it on one site and bought 20 metres. Sadly, it didn’t work out on the dayan I reskinned. It just wasn’t strong enough and did stretch quite a bit. I should have noted that the material is in fact 75% polyester and 25% cotton. So the stretch is probably mostly from the cotton. Oh well. Anyway, here are some photos from the reskinned tabla where I returned to using traditional rawhide and then the bayan using the polyester webbing, which I will probably swap out because again, I don’t seem to be getting enough tension.
Shivji very kindly sent me these skins and the dayan sounds good after much pulling (I can never quite believe how much pulling is required!) and the bayan will need redoing before I can get a good idea of the sound quality but I’m sure it will be great once I get it right!
Update: More pulling caused the webbing to break and shred at the last 6 inches where I was going to tie off. I knotted on another section and tightened from there and after lots more pulling the bayan is starting to sound resonant. Not so much sustain but I think once worn in it will sound great.
Tickets on sale now for Indian Classical music concert @ Brighton Unitarian Church … venue only holds about 100 so snap them up early!
Sitar, Tabla and Khol concert
Friday July 8th 7.15pm – Brighton Unitarian Church, New Road, Brighton, East Sussex, BN1 1UF
I reheaded this tabla last week and was very pleased with the results. Should be able to get this one up to D. The skin was from Harkiratji and sounds great. Took much less tension than the Kolkata pudis I’ve been used to. The top end is slightly less bright but it has more of what they call the ‘full’ sound. It’s hard to keep it in tune though. One thing I struggle with is getting the end section of the strap to be tight. Getting enough tension before tying it off is very hard. Anyway, really hope this one lasts!
I’m just dragging this out of the archives…
I’m thinking of tweaking this mic setup after discussing the subject with tabla player friend Daniel San.
He is researching the best way to put microphones inside his drums so I pointed him to this old post from back in 2010.
This is how the post went:
I’ve finally got round to trying the old ‘mic-inside-the tabla’ idea and I think it’s going to work out a treat. I’ll post much more in detail soon. In brief though, I fitted an AKG C418 condenser mic inside the bayan and it gives a strong low-mid tone with loads of resonance and a little bit of ‘metallic ringing’ which can of course be tweaked out of the signal. Great for gigs where mic-ing in the usual way presents too many problems.
Utsav was an evening of Kathak performances by Jayashree and her students: Anandi Ray, Mahika Nair, Mahika Zutshi, Shubhangini Dhall.
It was a great success and I hope we can do another event like this in the near future.
Here’s a short video of highlights..